Engage the -10 dB pad to increase headroom and capture incredibly loud sources?drums, blaring horns, and guitar cabs?up to 155 dB SPL without distortion. When low-frequency rumble/hum or overwhelming bass invade your signal, turn on the 80 Hz high-pass filter switch to attenuate the lows without resorting to EQ. Since the AT4040 is a solid-state condenser with an XLR output, it should be mated to an XLR-equipped mic preamp capable of sending 48V phantom power. It comes with a protective storage case and a dust cover.
- B&H is proud to be partnering with Audio Test Kitchen, the world’s most comprehensive online audio product comparison platform, to improve the resources provided to our customers shopping for the right microphone for their given application.
- This provides you with the ability to listen to a growing selection of microphones with spoken word recordings captured in a standardized environment, with levels matched by the talented engineers at Audio Test Kitchen in its impressive reference studio.
- Audio Test Kitchen records microphones under identical conditions so you can compare them, apples-to-apples. The source, signal chain, and level never change. The only differences you will hear are between the microphones.
- Technically advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics
- Externally polarized (DC bias) true condenser design
- Exceptionally low noise, wide dynamic range, and high SPL handling
- Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
- Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
- Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections
- State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards
- Custom shockmount provides superior isolation
- Switchable 80 Hz high-pass filter and -10 dB pad
- Operates on 48V phantom power
- XLR 3-pin output connector
The silver RF-CM-S Reflection Filter from Auray is the perfect solution for recording vocalists or voice over artists in less than stellar acoustic spaces where room reflection would otherwise be recorded along with the vocal, making post processing and mixing more complicated. This might be in a home studio, an untreated rehearsal space, or a makeshift film dialogue replacement situation.
Housed in a deep and sturdy, semicircular perforated aluminum shell, the high density acoustic foam provides a reflection free environment for the microphone, while simultaneously attenuating any room noise. The resulting dry and clearer recordings can then be treated during mixing or film post processing without extraneous noises or unwanted reflections getting in the way.
The filter mounts onto a microphone stand, and front and rear sliding brackets easily allow you to adjust its height and depth for precise microphone placement. Standard 5/8"-27 threaded adapters fit most microphone stands, clips and shockmounts.
The RFMS-580 Reflection Filter Tripod Mic Stand from Auray features heavy-duty steel construction and is capable of providing sturdy support to your reflection filter and studio microphone at the same time. The tripod stand design features collapsible legs for convenient storage, a telescoping center column that can be adjusted to reach a maximum working height of 68".
The stand also features nonslip feet for added traction on hard surfaces as well as a 5/8" threaded adapter for attaching a shockmount or mic clip.
The Shure SRH240A are closed-back, over-ear headphones offering high-quality audio reproduction for general listening in a lightweight and comfortable design. Large 40mm neodymium dynamic drivers provide clear, detailed sound with a wide frequency response while the closed-back earcup design helps block out ambient noise.
The re-engineered construction features thick over-ear cushions and an adjustable headband that deliver long-lasting comfort, allowing you to listen for hours without fatigue. The earpads can be easily replaced to keep the headphones comfortable for years to come. The oxygen-free copper cable offers plenty of slack and has a gold-plated 3.5mm TRS plug and a 1/4" adapter for wide compatibility with consumer and professional audio gear.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (10') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.